Too much to be still
Stories in watercolour and drawing
Drawing is a challenge. I am drawn to realistic subjects, where capturing true proportions is essential. A portrait must not only look like the person, but also reflect their presence. To achieve accurate proportions, I use a small projector to cast a photograph onto the paper, allowing me to establish the composition with precision. I begin by sketching the fundamental lines, then turn off the projector and gradually bring the subject to life. I work with graphite pencil complemented by coloured pencils or soft pastels, depending on the mood I wish to create.



Home of the beaver
Small waterfalls and lively rapids emerge where a beaver has carefully laid branches in the water to build its lodge. In the surrounding area of this spot in the Ardennes, gnawed tree trunks can be seen everywhere — quiet traces of its presence. And yet, despite these signs, I have never caught a glimpse of the beaver itself.
On paper, 30x40 cm.


Moinho do Maralhas
Aljustrel has several historic sites. The mill dates back to the fourteenth century. Its white cloth sails are wrapped around the blades. In the past, seventeen mills stood around Aljustrel; this is the only one that has been preserved. Many former mills in Portugal have been demolished or converted into homes. According to the information I found online, the hill on which the moinho stands offers wide views over the surrounding landscape. That view is something I hope to go and see for myself soon.
On paper, 30x40 cm.

Joep
When you’ve just welcomed a dog into your life and then travel to a distant country for a week, you miss him. On the plane, with the pencils I had brought along, I drew Joep. When I gave the drawing to my grandchild, he first looked at it in happy surprise, and then held Joep close to his heart. A beautiful moment.
On paper, 15 × 20 cm.








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